My Writings (I hope!) reflect my Guiding Principles: -'Enjoy Life to the Utmost but not at other people's expense'-'Think Global, Act Local'-'Variety is the Spice of Life'-'Use Technology & Wisdom to Make the World A Better Place for All God's Creatures'-'Do Not Accept Injustice No Matter Where You Find It'-'Laughter is the Best Medicine'
A patriotic Green Irishman wears Blue & Yellow on St. Patrick's Day!
The Non-Irish Origins of St. Patrick's Day & 'All Things Irish'!

So for instance:
1. St. Patrick- British & Roman!
St. Patrick himself was actually Romano-British, the son of a Roman official that was taken as a slave by Irish sea raiders probably from near Carlisle (at Hadrian’s Wall) in northern Britain in the early 5th century. Even his adopted name is not Gaelic, coming from the Latin term ‘Patricius' (noble).
Yet, as we say in Ireland, the invader/foreigner oftentimes becomes 'more Irish than the Irish themselves' (except for a few Northern Unionists!). Though sent as a prisoner to Ireland & forced to work as a slave looking after sheep in the mountains, Patrick decided to return to Ireland as a Christian missionary years after his escape.
2.

'Guinness' was copied by Arthur Guinness from an 18th century London drink made out of roasted barley. The beer was known as ‘porter’ because it was originally popular with the porters (carriers) in Covent Garden. Arthur Guinness switched from producing the more common ale at his Dublin brewery. However Guinness was initially not well received with Dubliners because of the owner’s support for the British colonial regime and his opposition to the republican United Irishman during the rebellions of the late 1790s.
Guinness’ international reputation had also a lot to do with the British Army! In WW1, the high-energy consumption ‘porter’ breweries in mainland Britain were closed down by the government to concentrate the national energy resources on the armament production factories. However Guinness and the porter breweries in Ireland were allowed to stay open thus giving them a virtual trade monopoly in the then British Empire that stretched across five continents.
3. Irish Pub- Viking roots!

The 'Irish pub' was actually created by Viking invaders in the 9th century in their new slave-trading settlements of Dublin, Cork, Limerick etc. Common to all these Viking cities was the presence of a 'tavern' where Vikings, after grueling days or months spent fighting, raiding, pillaging or trading could come to enjoy the delights of beer, music and food served by gorgeous-looking Celtic wenches.
Over a thousand years later (in 1996), I returned the favour to our Viking brethren by managing the first Irish pub in Iceland- ‘The Dubliner’ in Reykjavik! (pubs were only legalized in that country in 1989)
4.

It originated in the mid-18th century American cities of Boston and New York where it was created by Irish Americans longing for their homeland and an opportunity to promote their heritage. The first parade took place in New York on March 17th in 1762 when it was led by Irish soldiers serving in the British Army! By the 19th century, it had became a powerful expression of Irish nationalism and the struggle against British colonial rule in Ireland.

5. Irish Whiskey -the essence of the Middle East!
The process of creating whiskey(from the Gaelic 'uisce beatha' = 'water of life') - 'distillation' was learnt from Coptic or Arab alchemists by studious Celtic monks. The former used it for medicinal purposes. However, we Irish soon saw its greater significance in the hospitality and entertainment sectors!

Traditional Irish step dancing only gained an international appeal in the 1990s thanks primarily to the efforts of an American, Michael Flatley.
This Irish-American from Chicago created the choreography for the 'Riverdance' show and, with fellow lead dancer Jean Butler, led the show to amazing success as the intermission act in the Eurovision Song Contest in 1994. Irish step dancing has never looked back since and Riverdance has generated a myriad of successful offshoots. Not only that, but the dour unsmiling
Irish dancers of previous eras were transformed into vivacious high-kicking Irish cailíní and buachaillí in figure-hugging attire. Furthermore, modern Irish dance now unashamedly embraces elements from other cultures (Russia, Arabian) increasing its international appeal even further.
Michael Flatley portrayed all that was good and important about Irish-Americans. When Irish traditions were dying out in the Emerald Isle, it was they that for centuries nurtured and kept alive the flame of Celtic culture.
7.

'Craic' is looked on today as an Irish word denoting a quintessentially Irish form of fun (drink, music, amusing & friendly conversation).
In fact there was no such word in the Gaelic Language until the 1970s. It is actually an old English(!) word spelt 'crack' that meant in Elizabethan times 'to boast', 'to banter' or 'to tell a joke' as in the term 'to crack a joke'.
8. 'Irish Coffee'- invented for the benefit of American tourists suffering from the Irish weather!
On one cold evening in 1942 at a small windswept airport terminal on the west coast

Being Americans, he knew that they would enjoy a cup of hot coffee (not then much consumed by Irish people) topped with fresh cream. But because of the freezing conditions, he decided to spice it up with a shot of Irish whiskey. Legend has it that one of the passengers, remarking on the unusual taste of this drink asked, "Hey Buddy, is this Brazilian coffee?", to which the chef Joe Sheridan replied, 'No, that's Irish coffee'. And so, history was made!
9. Irish Songs-written by English, Americans, Scots & Australians!

10. Irish Traditional Music- reinvented by British Punks

It was a London-based Punk group of mixed English & Irish background that shook Irish music to its foundations and re-invented it for a modern Western youth audience. The anti-establishment Pogues, led by their brilliant lead singer and lyricist Shane MacGowan, that revitalised Irish music and brought vibrancy, youthfulness, relevancy and radical politics back into a staid Irish music scene.
Formed in 1982, the inventors of Celtic Punk fused traditional Irish folk with contemporary English punk and rock.
The name 'Pogues' comes from Pogue Mahone, the anglicisation of the Irish 'póg mo thóin,' meaning "kiss my ass".
As with Riverdance, their music was oftentimes condemned by the native Irish purists who preferred to keep Celtic culture in a sealed box untainted by outside forces.
Silly people! Like all cultures, Irish traditions are ever-changing, are constantly borrowing and being re-shaped by external influences.

In honour of the day itself, may I send you all an old and heartfelt Irish blessing:
"May your glass be ever full,
May the roof over your head be always strong,
And may you be in heaven
half an hour before the devil knows you're dead!"
The Non-Irish Origins of St. Patrick's Day & 'All Things Irish'!
St. Patrick’s Day is Ireland’s national holiday and understandably St. Patrick himself is looked on as the personification of all that is Irish.
It is probably the only holiday specifically associated with one nation
that is celebrated with gusto in countries across the globe, with
prominent streets and buildings on so many continents being decked out
in Emerald Isle Green.
Yet St. Patrick himself and so many of the traditions associated with
the Festival have their origins far beyond our green shamrock shores.
So for instance:
1. St. Patrick- British & Roman!
St. Patrick himself was actually Romano-British, the son of a Roman
official that was taken as a slave by Irish sea raiders probably from
near Carlisle (at Hadrian’s Wall) in northern Britain in the early 5th century. Even his adopted name is not Gaelic, coming from the Latin term ‘Patricius' (noble).
Yet, as we say in Ireland, the invader/foreigner oftentimes becomes 'more Irish than the Irish themselves' (except for a few Northern Unionists!).
Though sent as a prisoner to Ireland & forced to work as a slave
looking after sheep in the mountains, Patrick decided to voluntarily
return to Ireland as a Christian missionary years after his escape from
captivity.
2. Guinness- Invented by Londoners & with some later support from the British Army!
'Guinness' was copied by Arthur Guinness from an 18th century
London drink made out of roasted barley. The beer was known as ‘porter’
because it was originally popular with the porters (carriers) in Covent Garden.
Arthur Guinness switched from producing the more common ale at his
Dublin brewery. However Guinness was initially not well received with Dubliners because
of the owner’s support for the British colonial regime and his
opposition to the republican United Irishman during the rebellions of
the late 1790s.
Guinness’ international reputation had also a lot to do with the British
Army! In WW1, the high-energy consumption ‘porter’ breweries in
mainland Britain were closed down by the government to concentrate the
national energy resources on the armament production factories. However
Guinness and the porter breweries in Ireland were allowed to stay open
thus giving them a virtual trade monopoly in the then British Empire
that stretched across five continents.

The 'Irish pub' was actually created by Viking invaders in the 9th century in their new slave-trading settlements of Dublin, Cork, Limerick etc. Common to all these Viking cities was the presence of a 'tavern' where Vikings, after grueling days or months spent fighting, raiding, pillaging or trading could come to enjoy the delights of beer, music and food served by gorgeous-looking Celtic wenches.
Over a thousand years later (in 1996), I returned the favour to our Viking brethren by managing the first Irish pub in Iceland- ‘The Dubliner’ in Reykjavik! (pubs were only legalized in that country in 1989)
4.

It originated in the mid-18th century American cities of Boston (1737) and New York (1762) where it was actually created by Irish soldiers serving in the British Army who marched on March 17th in honour of the patron saint of Ireland. The latter parade is usually recognised as the first true parade. By the 19th century, it had become an opportunity for the Irish emigrants in the USA not only to promote their heritage, but most importantly to present a powerful expression of Irish nationalism and the struggle against British colonial rule in Ireland.
New York's Parade for Indian & Irish Independence
Interestingly, the New York Parade of 1920 took on a more cosmopolitan anti-imperial flavour as it became a huge demonstration for Indian as well as Irish independence with Indian republicans carrying large banners emblazoned with messages such as '315,000,000 of India with Ireland to the Last'and 'President De Valera's Message to India: Our cause is a common cause.'

5. Irish Whiskey -the essence of the Middle East!
The process of creating whiskey(from the Gaelic 'uisce beatha' = 'water of life') - 'distillation' was learnt from Coptic or Arab alchemists by studious Celtic monks. The former used it for medicinal purposes. However, we Irish soon saw its greater significance in the hospitality and entertainment sectors!

Traditional Irish step dancing only gained an international appeal in the 1990s thanks primarily to the efforts of an American, Michael Flatley.
This Irish-American from Chicago created the choreography for the 'Riverdance' show and, with fellow lead dancer Jean Butler, led the show to amazing success as the intermission act in the Eurovision Song Contest in 1994. Irish step dancing has never looked back since and Riverdance has generated a myriad of successful offshoots. Not only that, but the dour unsmiling
Irish dancers of previous eras were transformed into vivacious high-kicking Irish cailíní and buachaillí in figure-hugging attire. Furthermore, modern Irish dance now unashamedly embraces elements from other cultures (Russia, Arabian) increasing its international appeal even further.
Michael Flatley portrayed all that was good and important about Irish-Americans. When Irish traditions were dying out in the Emerald Isle, it was they that for centuries nurtured and kept alive the flame of Celtic culture.
7.

The term 'Craic' is looked on today as an Irish word denoting a quintessentially Irish form of fun (drink, music, amusing & friendly conversation).
In fact there was no such word in the Gaelic Language until the 1970s. It is actually an old English(!) word spelt 'crack' that meant in Elizabethan times 'to boast', 'to banter' or 'to tell a joke' as in the term 'to crack a joke'.
8. 'Irish Coffee'- invented for the benefit of American tourists suffering from the Irish weather!
On one cold evening in 1942 at a small windswept airport terminal on the west coast

Being Americans, he knew that they would enjoy a cup of hot coffee (not then much consumed by Irish people) topped with fresh cream. But because of the freezing conditions, he decided to spice it up with a shot of Irish whiskey. Legend has it that one of the passengers, remarking on the unusual taste of this drink asked, "Hey Buddy, is this Brazilian coffee?", to which the chef Joe Sheridan replied, 'No, that's Irish coffee'. And so, history was made!
9. Irish Songs-written by English, Americans, Scots & Australians!

For instance Dirty Old Town (that many mistakenly believe refers to Dublin) was written by the (Scottish-) English socialist folk singer Ewan MacColl; From Clare to Here by English singer songwriter Ralph McTell; Willie McBride/Green Fields of France by Scottish Australian Eric Bogle; Danny Boy by English lawyer Fred Weatherly; My Wild Irish Rose and When Irish Eyes are Smiling by New York Broadway star Chauncey Olcott; and the late great Johnny Cash wrote Forty Shades of Green
British Army made an Irish theme song the most popular music of World War One
Written in 1912 by Englishman Harry Williams and Jack Judge, the son of Irish emigrants, the song It's a Long Way to Tipperary was heard by English news reporter George Curnock being sung by the Connaught Rangers regiment of the British Army as they marched through Boulogne
in August 1914. He wrote about it in the Daily Mail and very soon it was
being picked up by other British regiments and became the most popular
marching song of the war.
10. Irish Traditional Music- reinvented by British Punks
It
was a London-based Punk group of mixed English & Irish background
that shook Irish music to its foundations and re-invented it for a
modern Western youth audience. The anti-establishment Pogues, led by their brilliant lead singer and lyricist Shane MacGowan,
that revitalised Irish music and brought vibrancy, youthfulness,
relevancy and radical politics back into a staid Irish music scene.
Formed in 1982, the inventors of Celtic Punk fused traditional Irish folk with contemporary English punk and rock.
The name 'Pogues' comes from Pogue Mahone, the anglicisation of the Irish 'póg mo thóin,' meaning "kiss my ass".
As with Riverdance,
their music was oftentimes condemned by the native Irish purists who
preferred to keep Celtic culture in a sealed box untainted by outside
forces.
Silly people! Like all cultures, Irish traditions are ever-changing, are
constantly borrowing and being re-shaped by external influences.
More than any other food item, the potato is associated with Ireland. Today it is a central element of Irish cuisine with a myriad of traditional recipes associated with this root crop, ranging from Boxty (Irish Potato Griddle Cakes), potato soup, Dublin Coddle to Colcannon. Particularly from the early 1800s, it became the staple diet of the Irish people.

However the potato was introduced into Ireland only in the late 16th century from North America, probably by English soldier and adventurer Sir Walter Raleigh on his estates in county Waterford that had been awarded to him from lands seized from Irish rebels. Raleigh is mostly remembered today for popularising another crop from the the New World, namely tobacco. However his legacy in Ireland is somewhat different and will be forever associated with colonising Irish lands with English settlers and American spuds.
The Claddagh ring (Fáinne Chladaigh in Irish) is internationally renowned as a traditional Irish token of friendship, love, or marriage. It is called after the fishing village of Claddagh ('Cladach' = stony beach in Irish), now a suburb of Galway city on the west coast of Ireland.
Each element of this distinctive metal ring has symbolic meaning: the hands represents friendship, the crown loyalty, and the heart love. If the ring is placed on the right hand with the heart turned outwards, it means that the wearer is "unattached". When the heart is turned inwards, it is a sign that he or she is married or in a permanent relationship.
Many famous people have worn it including the British Queen Victoria, Hollywood actor Gabriel Byrne, film producer Walt Disney and US President Bill Clinton.
It has appeared in popular television programmes including Friends, and in Buffy the Vampire Slayer where the character Angel (who was an Irishman in a previous life) presents Buffy with a Claddagh ring on her birthday saying “My people – before I was changed – they exchanged this as a sign of devotion. It’s a Claddagh ring. The hands represent friendship, the crown loyalty…and the heart….well you know…..wear it with the heart pointing towards you it means you belong to somebody."
All wore the ring in the belief that it is a authentic Love Symbol from ancient Ireland.
Yet its origins probably lie in North Africa, in the white slave trade practiced by the fierce Moorish pirates in what was then known as the Barbary (Barbarian) Coast.
According to legend Richard Joyce, from British occupied Ireland, was captured by Muslim pirates on a ship traveling to the slave plantations of British West Indies. Sold like many hundreds of thousands of captured Europeans in a slave market in Morocco or Algeria, he was bought by a kindly goldsmith from Algiers who taught him the skills of his trade during his 14 years of captivity.
Under a peace treaty during the reign of King William III, Richard was released along with all other British prisoners. In spite of being offered riches and a daughter in marriage by his former master. Richard returned to Galway. Equipped with his new metalwork skills and designs, he became a successful goldsmith. It is said that he presented the first Claddagh ring to a lover that had remained faithful to him during his long years in captivity.
13. Easter 1916 - Ireland's greatest rebellion against British Imperial Rule- Led by a Scotsman, an Englishman, an American and the English-born wife of A Polish Count
The Easter 1916 Rising is probably the most celebrated rebellion against British colonial rule in Ireland. Though it ended in failure, it was the catalyst for the larger scale guerrilla warfare campaign of the Irish Republican Army (IRA) that commenced in January 1919 and became known as the War of Independence which led to the establishment of the Irish Free State and the end of British rule in 26 counties of the 32 counties of Ireland.

Yet interestingly, many of the rebel leaders were foreign-born, evidenced of the extent and influence of the Irish Diaspora. The chief planner of the rebellion, Tomas Clarke was born in the Isle of Wright, England; James Connolly the internationally renowned socialist and overall commander, was born in Edinburgh Scotland; Éamon DeValera, commandant of the Boland Mills unit, was born in New York to a Cuban father; Constance Georgine Markievicz (neé Gore Booth) second in command of the St. Stephen's Green rebel forces was born in London and married a Polish aristocrat Count Casimir Markievicz from what is now Ukraine. The father of Pádraig Pearse, the Commander in Chief of the overall rebellion and the person most associated with the Rising was from Birmingham.
14. Ireland's Picturesque Landscapes of Green Fields & Stone Walls - A Product of British Conquest & Colonisation
A rural landscape comprising a mosaic of little green fields and a network of drystone walls is the image that many foreigners have of Ireland and its ancient Celtic past and rural traditions. In fact the fields and walls were largely created by British colonists and merchants from the early seventeenth century onwards when, after the defeat of Gaelic clans, the huge forests that covered much of the country were cut down to provide fuel for the English ironworks, timber to build ships for the imperial navy, tillage and pasture lands for the production of crops and livestock for export to the English homelands.

In honour of the day itself, may I send you all an old and heartfelt Irish blessing:
"May your glass be ever full,
May the roof over your head be always strong,
And may you be in heaven
half an hour before the devil knows you're dead!"
March with Galway's Organic Gardeners in St. Patrick's Day Parade!
The "Lets Get Galway Growing" network will be represented in this great festive event by members of the Westside, Eglinton Salthill and Ballinfoile Mór (Terryland Forest Park) community gardens.
But we welcome supporters of organic gardening from all over Galway and beyond to march with us!
Cumann na bhFear (Men's Shed Ballinfoile Mór) will also be marching beside us promoting traditional arts, crafts and traditional manual skills and as well as heritage cycling tours.
So if you would like to take part, please meet up at 9.30am-10.00am in the morning (Mar 17) at the Cumann na bhFear premises. Unit 1b Sandy Road Business Park (adjacent to Galway Bay FM). Or email Brendan at speediecelt@gmail.com.
Photograph shows members of the Ballinfoile Mór Community Organic Garden yesterday in their garden having a well deserved break from working amongst the vegetable beds.
Support an Organic Garden presence in this year's St. Patrick's Day Parade!
It is hoped that members of the new Eglinton Asylum Seekers Accommodation Community Garden will also join us. But we also need supporters of community organic gardening from all across Galway city and beyond to join us in the Parade in other to ensure that our presence is substantial in terms of quantity as well as quality!
Hence everyone is invited to come along to a discussion session regarding organic gardeners’ involvement (banners, costumes, numbers of participants etc) in the Parade at 7pm next Tuesday March 11th in the Lus Leana Community House on the Headford Road.
Map link is:
https://www.google.ie/maps/place/Lus+Leana/@53.2911817,-9.037509,17z/data=!4m2!3m1!1s0x485b96beadb1e8d7:0x6ece2f0fac58f51
The following evening (Wed) we will undertake a workshop in the same venue using simple but effective artistic materials with art facilitator Maurico Figueroa.
To fit into the theme of this year’s parade, our artistic hats and costumes will also reflect appropriate elements of ‘Irish Myths and Irish Legends’ such Shamrocks, Wild Flowers & Native Trees & wild animals (birds, insects, foxes).
Volunteers Needed for "Galway's Green and Growing Army", St. Patricks' Day Parade 2013, Galway city
![]() |
Ballinfoile Mór Community Organic Garden at St. Patrick's Parade, Galway City, 2012 |
![]() |
Scoil Bhríde Mionloch 'Forest' theme at St. Patrick's Parade, Galway City, 2012 |
![]() |
'High Nelly' Bikes enthusiasts on tour along the Seven Galway Castles' Trail |
![]() |
Cumann na bhFear Float at St. Patrick's Parade, Galway City, 2012 |
Rediscovering its Green Grassroots - Galway city's "Féile Padraig" !
Thanks to the vision and energies of this year's organiser Caroline McDonagh aided by artistic coordinator Jen Hesnan, the St. Patrick Day's Parade 2012 will have for the first time a distinctive eco-Green and Community ethos as well as an even stronger more flamboyant artistic dimension.
It will also include an increased traditional Gaelic cultural presence as expressed in dance, music and story, an element which had almost disappeared from the event over the last decade. (See previous article here). This was so disappointing as it was like having a Brazilian Mardi Gras carnival without including Salsa.
This Celtic ambiance will wonderfully complement the cosmopolitan mix of multi-ethnic traditions that will also be participating which will give due recognition to the population diversity of modern Ireland.
In advance of Saturday's parade, the stunning Notre Dame University Marching Band complete with their enthusiastic cheerleaders will be thrilling crowds in the city centre on Thursday March 15th. Known as 'The Fighting Irish', they are one of the very best football bands in the United States.
Over the last few months, Caroline has sent out the call to neighbourhood, resident, youth, community and environmental groups to participate in Ireland's National Day of Celebration.
The community of the Ballinfoile Mór locality has accepted her challenge and has four groups participating.
As well as having one the city's most colourful musical band on the parade, Scoil San Phroinsias will also feature the junior pupils dressed up as giant vegetables and fruits.
The fourth year students of Scoil Bhride Menlo will present a moving forest.
There will be a final meeting of volunteers at 7pm on Friday March 16th in the Cumann na bhFear premisses at Unit 1B in the Sandy Road Business Park to complete the floats and costumes for both the Ballinfoile Mór Community Organic Garden and the Cumann na bhFear (Men’s Shed Movement) for the St. Patrick’s Day Parade.
Over the last year, the community-based activities of the garden and the Men’s Shed have served as role models for other neighborhoods and residents groups to emulate.
So let us continue to inspire others by having a good presence in the parade!
Hence, more than anything else, we need the maximum number of people marching in this parade. Imagine the sight of an army of urban gardeners dressed in straw hats armed with wheelbarrows, spades and rakes accompanied by a working Blacksmith's Forge (on a float), with locally-constructed bee hives and repaired farm implements being carried along by the Men’s Shed group walking and cycling together through the streets of Galway being watched by tens of thousands of Galwegians and visitors as well as millions across the world!!
So we are asking all lovers of local communities and the environment to make every effort to attend tomorrow’ meeting. Bring along friends and family and pass the word around!