Showing posts with label irish traditions. Show all posts
Showing posts with label irish traditions. Show all posts

The Non-Irish Origins of St. Patrick's Day & 'All Things Irish'!

St. Patrick’s Day is Ireland’s national holiday and understandably St. Patrick himself is looked on as the personification of all that is Irish.
It is probably the only holiday specifically associated with one nation that is celebrated with gusto in countries across the globe, with prominent streets and buildings on so many continents being decked out in Emerald Isle Green.
Yet St. Patrick himself and so many of the traditions associated with the Festival have their origins far beyond our green shamrock shores.

So for instance:
1. St. Patrick- British & Roman!
St. Patrick himself was actually Romano-British, the son of a Roman official that was taken as a slave by Irish sea raiders probably from near Carlisle (at Hadrian’s Wall) in northern Britain in the early 5th century. Even his adopted name is not Gaelic, coming from the Latin term ‘Patricius' (noble).
Yet, as we say in Ireland, the invader/foreigner oftentimes becomes 'more Irish than the Irish themselves' (except for a few Northern Unionists!). Though sent as a prisoner to Ireland & forced to work as a slave looking after sheep in the mountains, Patrick decided to voluntarily return to Ireland as a Christian missionary years after his escape from captivity.

2. Guinness- Invented by Londoners & with some later support from the British Army!
'Guinness' was copied by Arthur Guinness from an 18th century London drink made out of roasted barley. The beer was known as ‘porter’ because it was originally popular with the porters (carriers) in Covent Garden. Arthur Guinness switched from producing the more common ale at his Dublin brewery. However Guinness was initially not well received with Dubliners because of the owner’s support for the British colonial regime and his opposition to the republican United Irishman during the rebellions of the late 1790s.
Guinness’ international reputation had also a lot to do with the British Army! In WW1, the high-energy consumption ‘porter’ breweries in mainland Britain were closed down by the government to concentrate the national energy resources on the armament production factories. However Guinness and the porter breweries in Ireland were allowed to stay open thus giving them a virtual trade monopoly in the then British Empire that stretched across five continents.

3. Irish Pub- Viking roots!
The 'Irish pub' was actually created by Viking invaders in the 9th century in their new slave-trading settlements of Dublin, Cork, Limerick etc. Common to all these Viking cities was the presence of a 'tavern' where Vikings, after grueling days or months spent fighting, raiding, pillaging or trading could come to enjoy the delights of beer, music and food served by gorgeous-looking Celtic wenches.
Over a thousand years later (in 1996), I returned the favour to our Viking brethren by managing the first Irish pub in Iceland- ‘The Dubliner’ in Reykjavik! (pubs were only legalized in that country in 1989)

4. 'St. Patrick's Day Festival Parade’ -an American invention!
It originated in the mid-18th century American cities of Boston and New York where it was created by Irish Americans longing for their homeland and an opportunity to promote their heritage. The first parade took place in New York on March 17th in 1762 when it was led by Irish soldiers serving in the British Army! By the 19th century, it had became a powerful expression of Irish nationalism and the struggle against British colonial rule in Ireland.

New York's Parade for Indian & Irish Independence  
Interestingly, the New York Parade of 1920 took on a more cosmopolitan anti-imperial flavour as it became a huge demonstration for Indian as well as Irish independence with Indian republicans carrying large banners emblazoned with messages such as '315,000,000 of India with Ireland to the Last'and 'President De Valera's Message to India: Our cause is a common cause.'


5. Irish Whiskey -the essence of the Middle East!
The process of creating whiskey(from the Gaelic 'uisce beatha' = 'water of life') - 'distillation' was learnt from Coptic or Arab alchemists by studious Celtic monks. The former used it for medicinal purposes. However, we Irish soon saw its greater significance in the hospitality and entertainment sectors!

6. Sexy Irish Traditional Dancing- another American invention!
Traditional Irish step dancing only gained an international appeal in the 1990s thanks primarily to the efforts of an American, Michael Flatley.
This Irish-American from Chicago created the choreography for the 'Riverdance' show and, with fellow lead dancer Jean Butler, led the show to amazing success as the intermission act in the Eurovision Song Contest in 1994. Irish step dancing has never looked back since and Riverdance has generated a myriad of successful offshoots. Not only that, but the dour unsmiling
Irish dancers of previous eras were transformed into vivacious high-kicking Irish cailíní and buachaillí in figure-hugging attire. Furthermore, modern Irish dance now unashamedly embraces elements from other cultures (Russia, Arabian) increasing its international appeal even further.
Michael Flatley portrayed all that was good and important about Irish-Americans. When Irish traditions were dying out in the Emerald Isle, it was they that for centuries nurtured and kept alive the flame of Celtic culture.

7. There is no such thing as Irish 'Craic'!
The term 'Craic' is looked on today as an Irish word denoting a quintessentially Irish form of fun (drink, music, amusing & friendly conversation).
In fact there was no such word in the Gaelic Language until the 1970s. It is actually an old English(!) word spelt 'crack' that meant in Elizabethan times 'to boast', 'to banter' or 'to tell a joke' as in the term 'to crack a joke'.

8. 'Irish Coffee'- invented for the benefit of American tourists suffering from the Irish weather!
On one cold evening in 1942 at a small windswept airport terminal on the west coast of Ireland, the local chef felt pity for the tired and freezing passengers who had just embarked from a seaplane that had to turn back from its trans Atlantic journey due to atrocious weather conditions.
Being Americans, he knew that they would enjoy a cup of hot coffee (not then much consumed by Irish people) topped with fresh cream. But because of the freezing conditions, he decided to spice it up with a shot of Irish whiskey. Legend has it that one of the passengers, remarking on the unusual taste of this drink asked, "Hey Buddy, is this Brazilian coffee?", to which the chef Joe Sheridan replied, 'No, that's Irish coffee'. And so, history was made!

9. Irish Songs-written by English, Americans, Scots & Australians!
Many of those great 'traditional Irish' ballad songs that are sung with such gusto every night by broken-hearted inebriated Galwegians or Dubliners in some Irish pub across the world were in fact written by English, Scotch, Australian or American!
(Click on song title below to hear the song)
For instance Dirty Old Town (that many mistakenly believe refers to Dublin) was written by the (Scottish-) English socialist folk singer Ewan MacColl; From Clare to Here by English singer songwriter Ralph McTell; Willie McBride/Green Fields of France by Scottish Australian Eric Bogle; Danny Boy by English lawyer Fred Weatherly; My Wild Irish Rose and When Irish Eyes are Smiling by New York Broadway star Chauncey Olcott; and the late great Johnny Cash wrote Forty Shades of Green

10. Irish Traditional Music- reinvented by British Punks
It was a London-based Punk group of mixed English & Irish background that shook Irish music to its foundations and re-invented it for a modern Western youth audience. The anti-establishment Pogues, led by their brilliant lead singer and lyricist Shane MacGowan, that revitalised Irish music and brought vibrancy, youthfulness, relevancy and radical politics back into a staid Irish music scene.
Formed in 1982, the inventors of Celtic Punk fused traditional Irish folk with contemporary English punk and rock.
The name 'Pogues' comes from Pogue Mahone, the anglicisation of the Irish 'póg mo thóin,' meaning "kiss my ass".
As with Riverdance, their music was oftentimes condemned by the native Irish purists who preferred to keep Celtic culture in a sealed box untainted by outside forces.
Silly people! Like all cultures, Irish traditions are ever-changing, are constantly borrowing and being re-shaped by external influences.


11. The Irish Potato- Brought to Ireland from North America by English colonists
More than any other food item, the potato is associated with Ireland. Today it is a central element of Irish cuisine with a myriad of traditional recipes associated with this root crop, ranging from Boxty (Irish Potato Griddle Cakes), potato soup, Dublin Coddle to Colcannon. Particularly from the early 1800s, it became the staple diet of the Irish people. Because of its high nutritional value and its ability to be grown abundantly on poor soils, the majority of the impoverished native peasantry planted this vegetable  on the miserable patches of lands left to them by their new lords and masters, the British ruling elite, who had conquered and colonised Ireland  during the wars of the 16th-18th centuries,  transforming the countryside in the process into grazing and tillage lands to provide livestock and grain for the British market. Over dependency on the potato in the 19th century sadly had dire consequences when potato blights led to mass starvation, death and emigration particularly in the Great Famine (an Gorta Mór = the Big Hunger) of the 1840s.

However the potato was introduced into Ireland only in the late 16th century from North America, probably by English soldier and adventurer Sir Walter Raleigh on his estates in county Waterford that had been awarded to him from lands seized from Irish rebels. Raleigh is mostly remembered today for popularising another crop from the the New World, namely tobacco. However his legacy in Ireland is somewhat different and will be forever associated with colonising Irish lands with English settlers and American spuds.

12. Claddagh Ring- African Origins of the Irish Symbol of Love
The Claddagh ring (Fáinne Chladaigh in Irish) is internationally renowned as a traditional Irish token of friendship, love, or marriage. It is called after the fishing village of Claddagh ('Cladach' = stony beach in Irish), now a suburb of Galway city on the west coast of Ireland.
Each element of this distinctive metal ring has symbolic meaning: the hands represents friendship, the crown loyalty, and the heart love. If the ring is placed on the right hand with the heart turned outwards, it means that the wearer is "unattached". When the heart is turned inwards, it is a sign that  he or she is married or in a permanent relationship.
Many famous people have worn it including the British Queen Victoria, Hollywood actor Gabriel Byrne, film producer Walt Disney and US President Bill Clinton.
It has appeared in popular television programmes including Friends, and in Buffy the Vampire Slayer where the character Angel (who was an Irishman in a previous life) presents Buffy with a Claddagh ring on her birthday saying “My people – before I was changed – they exchanged this as a sign of devotion. It’s a Claddagh ring. The hands represent friendship, the crown loyalty…and the heart….well you know…..wear it with the heart pointing towards you it means you belong to somebody."
All wore the ring in the belief that it is a authentic Love Symbol from ancient Ireland.
Yet its origins probably lie in North Africa, in the white slave trade practiced by the fierce Moorish pirates in what was then known as the Barbary (Barbarian) Coast.
According to legend Richard Joyce, from British occupied Ireland, was captured by Muslim pirates on a ship traveling to the slave plantations of British West Indies. Sold like many hundreds of thousands of captured Europeans in a slave market in Morocco or Algeria, he was bought by a kindly  goldsmith from Algiers who taught him the skills of his trade during his 14 years of captivity.
Under a peace treaty during the reign of King William III, Richard was released along with all other British prisoners. In spite of being offered riches and a daughter in marriage by his former master. Richard returned to Galway. Equipped with his new metalwork skills and designs, he became a successful goldsmith. It is said that he presented the first Claddagh ring to a lover that had remained faithful to him during his long years in captivity.

13. Easter 1916 - Ireland's greatest rebellion against British Imperial Rule- Led by a Scotsman, an Englishman, an American and the English-born wife of A Polish Count
The Easter 1916 Rising is probably the most celebrated rebellion against British colonial rule in Ireland. Though it ended in failure, it was the catalyst for the larger scale guerrilla warfare campaign of the Irish Republican Army (IRA) that commenced in January 1919 and became known as the War of Independence which led to the establishment of the Irish Free State and the end of British rule in 26 counties of the 32 counties of Ireland.
Yet interestingly, many of the rebel leaders were foreign-born, evidenced of the extent and influence of the Irish Diaspora. The chief planner of the rebellion, Tomas Clarke was born in the Isle of Wright, England; James Connolly the internationally renowned socialist and overall commander, was born in Edinburgh Scotland; Éamon DeValera, commandant of the Boland Mills unit, was born in New York to a Cuban father; Constance Georgine Markievicz (neé Gore Booth) second in command of the St. Stephen's Green rebel forces was born in London and married a Polish aristocrat Count Casimir Markievicz from what is now Ukraine. The father of Pádraig Pearse, the Commander in Chief of the overall rebellion and the person most associated with the Rising was from Birmingham.

14. Ireland's Picturesque Landscapes of Green Fields & Stone Walls - A Product of British Conquest & Colonisation

A rural landscape comprising a mosaic of little green fields and a network of drystone walls is the image that many foreigners have of Ireland and its ancient Celtic past and rural traditions. In fact the fields and walls were largely created by British colonists and merchants from the early seventeenth century onwards when, after the defeat of Gaelic clans, the huge forests that covered much of the country were cut down to provide fuel for the English ironworks, timber to build ships for the imperial navy, tillage and pasture lands for the production of crops and livestock for export to the English homelands.


A traditional Irish (honest!) Toast
In honour of the day itself, may I send you all an old and heartfelt Irish blessing:
"May your glass be ever full,
May the roof over your head be always strong,
And may you be in heaven
half an hour before the devil knows you're dead!"

Rediscovering its Green Grassroots - Galway city's "Féile Padraig" !


Thanks to the vision and energies of this year's organiser Caroline McDonagh aided by artistic coordinator Jen Hesnan, the St. Patrick Day's Parade 2012 will have for the first time a distinctive eco-Green and Community ethos as well as an even stronger more flamboyant artistic dimension. 
It will also include an increased traditional Gaelic cultural presence as expressed in dance, music and story, an element which had almost disappeared from the event over the last decade. (See previous article here). This was so disappointing as it was like having a Brazilian Mardi Gras carnival without including Salsa.

This Celtic ambiance will wonderfully complement the cosmopolitan mix of multi-ethnic traditions that will also be participating which will give due recognition to the population diversity of modern Ireland. 

In advance of Saturday's parade, the stunning Notre Dame University Marching Band complete with their enthusiastic cheerleaders will be thrilling crowds in the city centre on Thursday March 15th. Known as 'The Fighting Irish', they are one of the very best football bands in the United States. 
 Over the last few months, Caroline has sent out the call  to neighbourhood, resident, youth, community and environmental groups to participate in Ireland's National Day of Celebration. 

The community of the Ballinfoile Mór locality has accepted her challenge and has four groups participating.
As well as having one the city's most colourful musical band on the parade, Scoil San Phroinsias will also feature the junior pupils dressed up as giant vegetables and fruits.

The fourth year students of Scoil Bhride Menlo will present a moving forest.
There will be a final meeting of volunteers at 7pm on Friday March 16th in the Cumann na bhFear premisses at Unit 1B in the Sandy Road Business Park to complete the floats and costumes for both the Ballinfoile Mór Community Organic Garden and the Cumann na bhFear (Men’s Shed Movement) for the St. Patrick’s Day Parade.  

Everyone is invited! It is important that supporters of both groups work together to ensure that we have a prominent role in these eco-community festivities .
Over the last year, the community-based activities of the garden and the Men’s Shed have served as role models for other neighborhoods and residents groups to emulate.

So let us continue to inspire others by having a good presence in the parade!


Hence, more than anything else, we need the maximum number of people marching in this parade. Imagine the sight of an army of urban gardeners dressed in straw hats armed with wheelbarrows, spades and rakes accompanied by a working Blacksmith's Forge (on a float), with locally-constructed bee hives and  repaired farm implements being carried along by the Men’s Shed group walking and cycling together through the streets of Galway being watched by tens of thousands of Galwegians and visitors as well as millions across the world!!



So we are asking all lovers of local communities and the environment to make every effort to attend tomorrow’ meeting. Bring along friends and family and pass the word around!

The more participation we get the better for all!

Halloween - Another significant contribution to World Culture by the Irish & Celtic peoples!


Halloween's Pagan Celtic Roots
Today Halloween is joyously celebrated by children across many parts of the world. There is a popular misconception though that Halloween is a modern American invention. Not so. Like so many other things that have brought great happiness to humanity for millennia, its roots lay firmly in the culture of the Irish Celts!
(Photo- my son Dáire & 'friend'!)


Yet it has to be said that the Americans, in their child-friendly re-packaging of this ancient pagan festival, have destroyed many of the fine traditions that were once such an integral part of the festivities. For instance our Celtic custom of placing human skulls with candles at entrances to domestic dwellings in order to ward off evil spirits has been replaced by lights in hollowed-out pumpkins! Likewise the visits of children dressed up in ghoulish and macabre fancy dress going door-to-door looking for gifts of sweets and fruits is a poor substitute for the former visits of the ghosts of our ancestors who used to drop in once a year on October 31st for a nice meal with their living relatives (we would prepare a place for them at the dinner table).
It was said too that live captives were placed in wicker cages above huge bonfires and burnt alive (as portrayed in the classic British 1970s cult film “The Wicker Man”). But such horror stories were originally spun by those nasty Romans when they were at war with the Celts. So it was probably nothing more than malicious enemy propaganda. After all, what do you take us Celts for? Barbarians?!

As with so many other religious festivals, Halloween has become so commercialised by 'Americanised' popular culture that its pagan and religious aspects have long since being forgotten.
So here is the true story of 'Féile na Marbh' (Festival of the Dead'):

Christianisation of 'Samhain'
 Yet modern-day Americans were not the first people to re-brand the festival. In the middle ages the Catholic Church created the Christian festival of 'All Hallows Eve' or 'All Souls Day' when people were asked to remember and pray for their dead family members.
This event was superimposed onto the ancient pagan Celtic festival of 'Samhain' which marked the end of the summer season characterised by heat & light and the coming of the dark cold barren winter months.

Celtic Festivals
Typical of many agricultural societies, the Celts had four major annual festivals based on the cyclical differences experienced in the changing seasons of nature and their corresponding weather patterns. The other three were 'Imbolc' (spring) 'Bealtane' (summer), 'Lugnasa' (autumn). The latter was associated with harvest time.

Bon(e)Fires
Samhain was a time when food was hoarded as people prepared for the cold season when no plants grew. While many domestic animals such as cattle were brought indoors for the winter, others were slaughtered and most of their meat salted for storage whilst the remainder was cooked for the big feast. As with all Irish festivals, communal bonfires were lit as people gathered together at warm fires to socialise and to give thanks to the deities. Bones of the slaughtered animals were thrown into the fire as symbolic gifts to the gods, an action which give rise to the term ' bone fires' or 'bonfires'. Embers from this sacred fire were taken by local people to their households to light their own domestic fires.

Antecedents to the Pumpkin & 'Trick or Treat'
But Samhain was also a time when creatures from the supernatural world could enter into the world of mortals. 'Fairies' (Irish='Sidhe' as in ‘Banshee’/‘female fairy’) and the spirits of the dead would walk the earth. Many of these beings were benevolent and the spirits of dead ancestors; so families laid out extra food and set aside a table space for their ghostly visitors. This metaphorised into the custom of today's children dressing up as demons and witches & calling to the neighbours' houses to receive presents.
But there were spirits that came on the night of Samhain that were malevolent. Candles were placed in skulls at the entrance to dwellings as light was feared by these dark foreboding creatures. This protection against evil became transformed in modern times into the positioning of hollowed-out turnips and later pumpkins with carved out faces and internal candles at windows and doorways.
Centuries-old party games of trying to eat an apple lying in a basin of water ('bobbing') or dangling on a string tied to a ceiling ('snapping') are still popular festive past-times with Irish children.
The apple is probably the most common edible fruit in Ireland. It was also strongly associated with the spirit world and the fairies (sidhe). In the Arthurian legends, the mystical island of Avalon is where King Arthur obtains his magical sword Excalibur and where he is taken at the end of his life by the Lady of the Lake and her female fairy companions (banshee). Avalon comes from the Welsh word afal or Irish aball.


Fortune Telling at Halloween
Central to the Irish Halloween is the eating of a fruit bread known as 'Barmbrack' from the Gaelic term 'Báirín Breac' (speckled or spotted top). It is still a popular festive food today.
Various symbolic pieces were placed in the dough before it was baked such as a ring, a pea and a stick. When an item was found in the slice when it was being eaten, it told of the future that awaited the recipient. For instance, the 'ring' signified marriage within a year; a 'stick' represented a bad or violent marriage; the 'coin', wealth and a 'pea', a long wait before marriage.

Irish Export Halloween to North America
The Irish emigrants of the nineteenth century introduced Halloween and its rituals to America. Within a few decades, the festival was transformed into the fun and games event of today.

Significant Irish Contributions to World Culture:
No. 7642- 'Dracula'

Considering our national passion of asking the dead to resurrect themselves & drop into the house for a late night meal & party, it should come as no surprise that the world's most well known vampire Count Dracula was the creation of an Irishman, the novelist Bram Stoker in 1887.
His inspiration though was Carmilla, a book about a lesbian vampire created naturally enough(!) by another well known Irish writer Sheridan Le Fanu.


Finally, the name Halloween comes from a mix old English and Irish with Hallows meaning holy and een from the the Irish 'ín' meaning little signifying the night before the big or main event of All Hallows Day which took place in the Christian calander on November 1st. Alternatively een could be a version of Eve as in Christmas Eve.

(Photos from Macnas Halloween youth parade in Ballinfoile, Galway City)

St. Patrick & St. Patrick's Day - Not Irish After All!!


Great swathes of the world turn green on March 17th as people anywhere that have some ancestral roots to theEmerald Isle nosily celebrate St. Patrick's Day, the great festival of the Irish.

Yet, as with St. Patrick himself, so many of the traditions associated with our national holiday owe their existence to people and places far beyond our green shamrock shores.

Click here to find out more about this startling revelation from one of my previous and hopefully very interesting articles!

For instance....
Famous Ballad 'Dirty Old Town' - Not an Irish Song!


Dirty Old Town is a song synonymous with Irish Pub Ballads, with most people believing that its title refers to Dublin.
Actually, it was written by Ewan MacColl, an Englishman of Scottish ancestry, about the grimy old industrial town of Salford near Manchester!
Click here to hear Pogues' brilliant version of Dirty Old Town.

Ireland's Forty Shades of Green - Invented by an American Rock 'n' Roller!

Forty Shades of Green has all the hallmarks of a story penned by an Irish emigrant fondly reminiscing about memories of the lover, the landscapes and the people that he left behind in rural Ireland.
In fact it was written by the Man in Black- Johnny Cash, the legendary American Rock 'n' Roll & Country star.
Every line in the song feels like part of an authentic television documentary on Ireland.Who cares if it is sentimental. As an emigrant myself in times gone past, I can empathise with the feelings expressed.
Click here to hear a fine version song by his daughter Rosanne Cash

Irish Origins of Halloween

My youngest lad (far left- notice the family resemblance!) & his friends going 'Trick or Treating')


Halloween is a popular annual family and children festival celebrated in countries across the globe. Like many of the great benign forces of modern life that give so much joy and comfort to people everywhere (from radio and optic cables to whiskey & U2), its origins lie in the ancients lands of Ireland.


Check out my article on this ancient and mystical Celtic tradition.



St. Patrick & St. Paddy's Day Festival -Not Irish After All!!


Great swathes of the world turn green on March 17th as people anywhere that have some ancestral roots to the Emerald Isle nosily celebrate St. Patrick's Day, the great festival of the Irish.

Yet, as with St. Patrick himself, so many of the traditions associated with our national holiday owe their existence to people and places far beyond our green shamrock shores.

Click here to find out more about this startling revelation from one of my previous articles!

For instance....
Famous Ballad 'Dirty Old Town' - Not an Irish Song!


Dirty Old Town is a song synonymous with Irish Pub Ballads, with most people believing that its title refers to Dublin.
Actually, it was written by Ewan MacColl, an Englishman of Scottish ancestry, about the grimy old industrial town of Salford near Manchester!
Click here to hear Pogues' brilliant version of Dirty Old Town.

Ireland's Forty Shades of Green - Invented by an American Rock 'n' Roller!

Forty Shades of Green has all the hallmarks of a story penned by an Irish emigrant fondly reminiscing about memories of the lover, the landscapes and the people that he left behind in rural Ireland.
In fact it was written by the Man in Black- Johnny Cash, the legendary American Rock 'n' Roll & Country star.  Every line in the song feels like part of an authentic television documentary on Ireland. So I have nothing but admiration for the man who could write such beautiful emotional lyrics about a country that was not his own. Who cares if it is sentimental. As an emigrant myself in times gone past, I can empathise with the feelings expressed.
Click here to hear a fine version song by his daughter Rosanne Cash

Dearth of Gaelic Culture in Galway's St. Patrick's Day Parade

Copy of my letter that was printed in the Galway Independent newspaper

This year's St Patrick's Day Parade was a great success at many different levels. The welcome return of the school bands, the pageantry, the huge friendly crowds and, of course, the fine weather made for an enjoyable afternoon.

So well done to the organisers!
But there was a surprising dearth of traditional Irish music, dance and drama in the event that was commented on by locals and tourists alike. Visitors were treated to a wonderful eclectic mix of African singers, Chinese dancers, Scottish pipers, American cops, Indian fashion, Hare Krishna chants and smiling flag wavers from new Christian groups that reached a finale in a fine display of Breton folk music in front of the official review stand.

But, in a Galway city/county that prides itself on being the cultural capital of Ireland, that is promoted as the custodian of so many aspects of Gaelic culture and is the birthplace of the sean-nos dancing Mulkerrin Brothers who won the 'All-Ireland Talent Competition' only two days previously, there is something seriously wrong when Gaelic culture finds so little expression in our annual national parade.

Promoting our membership of the 'Global Village' and the ethnic traditions of recent arrivals from other lands should, of course, be encouraged, commended and continued. But it would be wrong in the process to sideline a Gaelic culture that has for millennia been that of the majority of the Irish people.

The world has an appetite for traditional Irish Celtic music, drama and dance that has only increased over the last few decades. We in Galway should not ignore this and disappoint those who travel from distant parts to take part in what they expect to be a celebration of Ireland’s heritageHaving a St Patrick's Day Parade without this cultural input is akin to the Rio de Janeiro Carnival without its Samba Schools. For centuries the parade was nurtured by our Irish diaspora in order to keep the national identity alive in a time when the indigenous population was threatened by colonisation, war, oppression, famine and poverty. But participation from other ethnic groups with proud heritages is nothing new.

For instance, many Indians marched in the 1920 New York Parade that was reviewed by Eamon DeValera, some carrying large banners emblazoned with messages such as '315,000,000 of India with Ireland to the Last' and 'President De Valera's Message to India: Our cause is a common cause.'

I have sent a letter on this issue to the Mayor and Manager of Galway City. I also requested them to consider henceforth sending invitations to representatives of local schools, community and voluntary groups to fill the many empty seats noticeable in this year’s Review Stand as well as to lobby for the closure of the off-licences on 17 March. The public displays of urination, vomiting and verbal harassment, particularly from under-age drinkers on our streets and in our parks after the parade last Tuesday, was a frightening experience for families and others endeavouring to enjoy our national holiday.