Showing posts with label St. Paddys Day. Show all posts
Showing posts with label St. Paddys Day. Show all posts

The Non-Irish Origins of St. Patrick's Day & 'All Things Irish'!

St. Patrick’s Day is Ireland’s national holiday and understandably St. Patrick himself is looked on as the personification of all that is Irish.
It is probably the only holiday specifically associated with one nation that is celebrated with gusto in countries across the globe, with prominent streets and buildings on so many continents being decked out in Emerald Isle Green.
Yet St. Patrick himself and so many of the traditions associated with the Festival have their origins far beyond our green shamrock shores.

So for instance:
1. St. Patrick- British & Roman!
St. Patrick himself was actually Romano-British, the son of a Roman official that was taken as a slave by Irish sea raiders probably from near Carlisle (at Hadrian’s Wall) in northern Britain in the early 5th century. Even his adopted name is not Gaelic, coming from the Latin term ‘Patricius' (noble).
Yet, as we say in Ireland, the invader/foreigner oftentimes becomes 'more Irish than the Irish themselves' (except for a few Northern Unionists!). Though sent as a prisoner to Ireland & forced to work as a slave looking after sheep in the mountains, Patrick decided to voluntarily return to Ireland as a Christian missionary years after his escape from captivity.

2. Guinness- Invented by Londoners & with some later support from the British Army!
'Guinness' was copied by Arthur Guinness from an 18th century London drink made out of roasted barley. The beer was known as ‘porter’ because it was originally popular with the porters (carriers) in Covent Garden. Arthur Guinness switched from producing the more common ale at his Dublin brewery. However Guinness was initially not well received with Dubliners because of the owner’s support for the British colonial regime and his opposition to the republican United Irishman during the rebellions of the late 1790s.
Guinness’ international reputation had also a lot to do with the British Army! In WW1, the high-energy consumption ‘porter’ breweries in mainland Britain were closed down by the government to concentrate the national energy resources on the armament production factories. However Guinness and the porter breweries in Ireland were allowed to stay open thus giving them a virtual trade monopoly in the then British Empire that stretched across five continents.


3. Irish Pub- Viking roots!
The 'Irish pub' was actually created by Viking invaders in the 9th century in their new slave-trading settlements of Dublin, Cork, Limerick etc. Common to all these Viking cities was the presence of a 'tavern' where Vikings, after grueling days or months spent fighting, raiding, pillaging or trading could come to enjoy the delights of beer, music and food served by gorgeous-looking Celtic wenches.
Over a thousand years later (in 1996), I returned the favour to our Viking brethren by managing the first Irish pub in Iceland- ‘The Dubliner’ in Reykjavik! (pubs were only legalized in that country in 1989)

4. 'St. Patrick's Day Festival Parade’ -an American invention!
It originated in the mid-18th century American cities of Boston (1737) and New York (1762) where it was actually created by Irish soldiers serving in the British Army who marched on March 17th in honour of the patron saint of Ireland. The latter parade is usually recognised as the first true parade. By the 19th century, it had become an opportunity for the Irish emigrants in the USA not only to promote their heritage, but most importantly to present a powerful expression of Irish nationalism and the struggle against British colonial rule in Ireland.

New York's Parade for Indian & Irish Independence  
Interestingly, the New York Parade of 1920 took on a more cosmopolitan anti-imperial flavour as it became a huge demonstration for Indian as well as Irish independence with Indian republicans carrying large banners emblazoned with messages such as '315,000,000 of India with Ireland to the Last'and 'President De Valera's Message to India: Our cause is a common cause.'


5. Irish Whiskey -the essence of the Middle East!
The process of creating whiskey(from the Gaelic 'uisce beatha' = 'water of life') - 'distillation' was learnt from Coptic or Arab alchemists by studious Celtic monks. The former used it for medicinal purposes. However, we Irish soon saw its greater significance in the hospitality and entertainment sectors!

6. Sexy Irish Traditional Dancing- another American invention!
Traditional Irish step dancing only gained an international appeal in the 1990s thanks primarily to the efforts of an American, Michael Flatley.
This Irish-American from Chicago created the choreography for the 'Riverdanceshow and, with fellow lead dancer Jean Butler, led the show to amazing success as the intermission act in the Eurovision Song Contest in 1994. Irish step dancing has never looked back since and Riverdance has generated a myriad of successful offshoots. Not only that, but the dour unsmiling
Irish dancers of previous eras were transformed into vivacious high-kicking Irish cailíní and buachaillí in figure-hugging attire. Furthermore, modern Irish dance now unashamedly embraces elements from other cultures (Russia, Arabian) increasing its international appeal even further.
Michael Flatley portrayed all that was good and important about Irish-Americans. When Irish traditions were dying out in the Emerald Isle, it was they that for centuries nurtured and kept alive the flame of Celtic culture.

7. There is no such thing as Irish 'Craic'!
The term 'Craic' is looked on today as an Irish word denoting a quintessentially Irish form of fun (drink, music, amusing & friendly conversation).
In fact there was no such word in the Gaelic Language until the 1970s. It is actually an old English(!) word spelt 'crack' that meant in  Elizabethan times 'to boast', 'to banter' or 'to tell a joke' as in the term 'to crack a joke'.

8. 'Irish Coffee'- invented for the benefit of American tourists suffering from the Irish weather!
On one cold evening in 1942 at a small windswept airport terminal on the west coast of Ireland, the local chef felt pity for the tired and freezing passengers who had just embarked from a seaplane that had to turn back from its trans Atlantic journey due to atrocious weather conditions.
Being Americans, he knew that they would enjoy a cup of hot coffee (not then much consumed by Irish people) topped with fresh cream. But because of the freezing conditions, he decided to spice it up with a shot of Irish whiskey. Legend has it that one of the passengers, remarking on the unusual taste of this drink asked, "Hey Buddy, is this Brazilian coffee?", to which the chef Joe Sheridan replied, 'No, that's Irish coffee'. And so, history was made!

9. Irish Songs-written by English, Americans, Scots & Australians!
Many of those great 'traditional Irish' ballad songs that are sung with such gusto every night by broken-hearted inebriated Galwegians or Dubliners in some Irish pub across the world were in fact written by English, Scotch, Australian or American!
(Click on song title below to hear the song)

For instance Dirty Old Town (that many mistakenly believe refers to Dublin) was written by the (Scottish-) English socialist folk singer Ewan MacColl; From Clare to Here by English singer songwriter Ralph McTell; Willie McBride/Green Fields of France by Scottish Australian Eric Bogle; Danny Boy by English lawyer Fred Weatherly; My Wild Irish Rose and When Irish Eyes are Smiling by New York Broadway star Chauncey Olcott; and the late great Johnny Cash wrote Forty Shades of Green

British Army made an Irish theme song the most popular music of World War One
Written in 1912 by Englishman Harry Williams and Jack Judge, the son of Irish emigrants, the song It's a Long Way to Tipperary was heard
by English news reporter George Curnock being sung by the Connaught Rangers regiment of the British Army as they marched through Boulogne in August 1914. He wrote about it in the Daily Mail and very soon it was being picked up by other British regiments and became the most popular marching song of the war.

10. Irish Traditional Music- reinvented by British Punks
It was a London-based Punk group of mixed English & Irish background that shook Irish music to its foundations and re-invented it for a modern Western youth audience. The anti-establishment Pogues, led by their brilliant lead singer and lyricist Shane MacGowan, that revitalised Irish music and brought vibrancy, youthfulness, relevancy and radical politics back into a staid Irish music scene.
Formed in 1982, the inventors of Celtic Punk fused traditional Irish folk with contemporary English punk and rock.
The name 'Pogues' comes from Pogue Mahone, the anglicisation of the Irish 'póg mo thóin,' meaning "kiss my ass".
As with Riverdance, their music was oftentimes condemned by the native Irish purists who preferred to keep Celtic culture in a sealed box untainted by outside forces.
Silly people! Like all cultures, Irish traditions are ever-changing, are constantly borrowing and being re-shaped by external influences.


11. The Irish Potato- Brought to Ireland from North America by English colonists
More than any other food item, the potato is associated with Ireland. Today it is a central element of Irish cuisine with a myriad of traditional recipes associated with this root crop, ranging from Boxty (Irish Potato Griddle Cakes), potato soup, Dublin Coddle to Colcannon. Particularly from the early 1800s, it became the staple diet of the Irish people. Because of its high nutritional value and its ability to be grown abundantly on poor soils, the majority of the impoverished native peasantry planted this vegetable  on the miserable patches of lands left to them by their new lords and masters, the British ruling elite, who had conquered and colonised Ireland  during the wars of the 16th-18th centuries,  transforming the countryside in the process into grazing and tillage lands to provide livestock and grain for the British market. Over dependency on the potato in the 19th century sadly had dire consequences when potato blights led to mass starvation, death and emigration particularly in the Great Famine (an Gorta Mór = the Big Hunger) of the 1840s.

However the potato was introduced into Ireland only in the late 16th century from North America, probably by English soldier and adventurer Sir Walter Raleigh on his estates in county Waterford that had been awarded to him from lands seized from Irish rebels. Raleigh is mostly remembered today for popularising another crop from the the New World, namely tobacco. However his legacy in Ireland is somewhat different and will be forever associated with colonising Irish lands with English settlers and American spuds.

12. Claddagh Ring- African Origins of the Irish Symbol of Love
The Claddagh ring (Fáinne Chladaigh in Irish) is internationally renowned as a traditional Irish token of friendship, love, or marriage. It is called after the fishing village of Claddagh ('Cladach' = stony beach in Irish), now a suburb of Galway city on the west coast of Ireland.
Each element of this distinctive metal ring has symbolic meaning: the hands represents friendship, the crown loyalty, and the heart love. If the ring is placed on the right hand with the heart turned outwards, it means that the wearer is "unattached". When the heart is turned inwards, it is a sign that  he or she is married or in a permanent relationship.
Many famous people have worn it including the British Queen Victoria, Hollywood actor Gabriel Byrne, film producer Walt Disney and US President Bill Clinton.
It has appeared in popular television programmes including Friends, and in Buffy the Vampire Slayer where the character Angel (who was an Irishman in a previous life) presents Buffy with a Claddagh ring on her birthday saying “My people – before I was changed – they exchanged this as a sign of devotion. It’s a Claddagh ring. The hands represent friendship, the crown loyalty…and the heart….well you know…..wear it with the heart pointing towards you it means you belong to somebody."
All wore the ring in the belief that it is a authentic Love Symbol from ancient Ireland.
Yet its origins probably lie in North Africa, in the white slave trade practiced by the fierce Moorish pirates in what was then known as the Barbary (Barbarian) Coast.
According to legend Richard Joyce, from British occupied Ireland, was captured by Muslim pirates on a ship traveling to the slave plantations of British West Indies. Sold like many hundreds of thousands of captured Europeans in a slave market in Morocco or Algeria, he was bought by a kindly  goldsmith from Algiers who taught him the skills of his trade during his 14 years of captivity.
Under a peace treaty during the reign of King William III, Richard was released along with all other British prisoners. In spite of being offered riches and a daughter in marriage by his former master. Richard returned to Galway. Equipped with his new metalwork skills and designs, he became a successful goldsmith. It is said that he presented the first Claddagh ring to a lover that had remained faithful to him during his long years in captivity.

13. Easter 1916 - Ireland's greatest rebellion against British Imperial Rule- Led by a Scotsman, an Englishman, an American and the English-born wife of A Polish Count
The Easter 1916 Rising is probably the most celebrated rebellion against British colonial rule in Ireland. Though it ended in failure, it was the catalyst for the larger scale guerrilla warfare campaign of the Irish Republican Army (IRA) that commenced in January 1919 and became known as the War of Independence which led to the establishment of the Irish Free State and the end of British rule in 26 counties of the 32 counties of Ireland.
Yet interestingly, many of the rebel leaders were foreign-born, evidenced of the extent and influence of the Irish Diaspora. The chief planner of the rebellion, Tomas Clarke was born in the Isle of Wright, England; James Connolly the internationally renowned socialist and overall commander, was born in Edinburgh ScotlandÉamon DeValera, commandant of the Boland Mills unit, was born in New York to a Cuban father; Constance Georgine Markievicz (neé Gore Booth) second in command of the St. Stephen's Green rebel forces was born in London and married a Polish aristocrat Count Casimir Markievicz from what is now Ukraine. The father of Pádraig Pearse, the Commander in Chief of the overall rebellion and the person most associated with the Rising was from Birmingham.

14. Ireland's Picturesque Landscapes of Green Fields & Stone Walls - A Product of British Conquest & Colonisation

A rural landscape comprising a mosaic of little green fields and a network of drystone walls is the image that many foreigners have of Ireland and its ancient Celtic past and rural traditions. In fact the fields and walls were largely created by British colonists and merchants from the early seventeenth century onwards when, after the defeat of Gaelic clans, the huge forests that covered much of the country were cut down to provide fuel for the English ironworks, timber to build ships for the imperial navy, tillage and pasture lands for the production of crops and livestock for export to the English homelands.


A traditional Irish (honest!) Toast
In honour of the day itself, may I send you all an old and heartfelt Irish blessing:
"May your glass be ever full,
May the roof over your head be always strong,
And may you be in heaven
half an hour before the devil knows you're dead!"

March with Galway's Organic Gardeners in St. Patrick's Day Parade!


Please join us tomorrow as we march in the St. Patrick's Day Parade promoting the social and health benefits of neighbourhood organic gardening to local and visitor alike.
The "Lets Get Galway Growing" network will be represented in this great festive event by members of the Westside, Eglinton Salthill and Ballinfoile Mór (Terryland Forest Park) community gardens.

But we welcome supporters of organic gardening from all over Galway and beyond to march with us!
Cumann na bhFear (Men's Shed Ballinfoile Mór) will also be marching beside us promoting traditional arts, crafts and traditional manual skills and as well as heritage cycling tours.
So if you would like to take part, please meet up at 9.30am-10.00am in the morning (Mar 17) at the Cumann na bhFear  premises. Unit 1b Sandy Road Business Park (adjacent to Galway Bay FM). Or email Brendan at speediecelt@gmail.com.
 

Photograph shows members of the Ballinfoile Mór Community Organic Garden yesterday in their garden having a well deserved break from working amongst the vegetable beds.

Support an Organic Garden presence in this year's St. Patrick's Day Parade!

The Lets' Get Galway Growing network will be represented in this year’s St. Patrick’s Day Parade by members of the Westside and Ballinfoile Mór Community Organic Gardens who will be promoting the healthy and social message of growing organic fruits, vegetables and herbs in community settings where local residents can work collaboratively with other local people of all ages for the good of themselves and their neighbourhoods.
 It is hoped that members of the new Eglinton Asylum Seekers Accommodation Community Garden will also join us. But we also need supporters of community organic gardening from all across Galway city and beyond to join us in the Parade in other to ensure that our presence is substantial in terms of quantity as well as quality!

Hence everyone is invited to come along to a discussion session regarding organic gardeners’ involvement (banners, costumes, numbers of participants etc) in the Parade at 7pm next Tuesday March 11th in the Lus Leana Community House on the Headford Road.
Map link is:

https://www.google.ie/maps/place/Lus+Leana/@53.2911817,-9.037509,17z/data=!4m2!3m1!1s0x485b96beadb1e8d7:0x6ece2f0fac58f51

The following evening (Wed) we will undertake a workshop in the same venue using simple but effective artistic materials with art facilitator Maurico Figueroa.
To fit into the theme of this year’s parade, our artistic hats and costumes will also reflect appropriate elements of ‘Irish Myths and Irish Legends’ such Shamrocks, Wild Flowers & Native Trees & wild animals (birds, insects, foxes).


The Non-Irish Origins of St. Patrick's Day & 'All Things Irish'!

St. Patrick’s Day is Ireland’s national holiday and understandably St. Patrick himself is looked on as the personification of all that is Irish.
It is probably the only holiday specifically associated with one nation that is celebrated with gusto in countries across the globe, with prominent streets and buildings on so many continents being decked out in Emerald Isle Green.
Yet St. Patrick himself and so many of the traditions associated with the Festival have their origins far beyond our green shamrock shores.

So for instance:
1. St. Patrick- British & Roman!
St. Patrick himself was actually Romano-British, the son of a Roman official that was taken as a slave by Irish sea raiders probably from near Carlisle (at Hadrian’s Wall) in northern Britain in the early 5th century. Even his adopted name is not Gaelic, coming from the Latin term ‘Patricius' (noble).
Yet, as we say in Ireland, the invader/foreigner oftentimes becomes 'more Irish than the Irish themselves' (except for a few Northern Unionists!). Though sent as a prisoner to Ireland & forced to work as a slave looking after sheep in the mountains, Patrick decided to voluntarily return to Ireland as a Christian missionary years after his escape from captivity.

2. Guinness- Invented by Londoners & with some later support from the British Army!
'Guinness' was copied by Arthur Guinness from an 18th century London drink made out of roasted barley. The beer was known as ‘porter’ because it was originally popular with the porters (carriers) in Covent Garden. Arthur Guinness switched from producing the more common ale at his Dublin brewery. However Guinness was initially not well received with Dubliners because of the owner’s support for the British colonial regime and his opposition to the republican United Irishman during the rebellions of the late 1790s.
Guinness’ international reputation had also a lot to do with the British Army! In WW1, the high-energy consumption ‘porter’ breweries in mainland Britain were closed down by the government to concentrate the national energy resources on the armament production factories. However Guinness and the porter breweries in Ireland were allowed to stay open thus giving them a virtual trade monopoly in the then British Empire that stretched across five continents.

3. Irish Pub- Viking roots!
The 'Irish pub' was actually created by Viking invaders in the 9th century in their new slave-trading settlements of Dublin, Cork, Limerick etc. Common to all these Viking cities was the presence of a 'tavern' where Vikings, after grueling days or months spent fighting, raiding, pillaging or trading could come to enjoy the delights of beer, music and food served by gorgeous-looking Celtic wenches.
Over a thousand years later (in 1996), I returned the favour to our Viking brethren by managing the first Irish pub in Iceland- ‘The Dubliner’ in Reykjavik! (pubs were only legalized in that country in 1989)

4. 'St. Patrick's Day Festival Parade’ -an American invention!
It originated in the mid-18th century American cities of Boston and New York where it was created by Irish Americans longing for their homeland and an opportunity to promote their heritage. The first parade took place in New York on March 17th in 1762 when it was led by Irish soldiers serving in the British Army! By the 19th century, it had became a powerful expression of Irish nationalism and the struggle against British colonial rule in Ireland.

New York's Parade for Indian & Irish Independence  
Interestingly, the New York Parade of 1920 took on a more cosmopolitan anti-imperial flavour as it became a huge demonstration for Indian as well as Irish independence with Indian republicans carrying large banners emblazoned with messages such as '315,000,000 of India with Ireland to the Last'and 'President De Valera's Message to India: Our cause is a common cause.'


5. Irish Whiskey -the essence of the Middle East!
The process of creating whiskey(from the Gaelic 'uisce beatha' = 'water of life') - 'distillation' was learnt from Coptic or Arab alchemists by studious Celtic monks. The former used it for medicinal purposes. However, we Irish soon saw its greater significance in the hospitality and entertainment sectors!

6. Sexy Irish Traditional Dancing- another American invention!
Traditional Irish step dancing only gained an international appeal in the 1990s thanks primarily to the efforts of an American, Michael Flatley.
This Irish-American from Chicago created the choreography for the 'Riverdance' show and, with fellow lead dancer Jean Butler, led the show to amazing success as the intermission act in the Eurovision Song Contest in 1994. Irish step dancing has never looked back since and Riverdance has generated a myriad of successful offshoots. Not only that, but the dour unsmiling
Irish dancers of previous eras were transformed into vivacious high-kicking Irish cailíní and buachaillí in figure-hugging attire. Furthermore, modern Irish dance now unashamedly embraces elements from other cultures (Russia, Arabian) increasing its international appeal even further.
Michael Flatley portrayed all that was good and important about Irish-Americans. When Irish traditions were dying out in the Emerald Isle, it was they that for centuries nurtured and kept alive the flame of Celtic culture.

7. There is no such thing as Irish 'Craic'!
The term 'Craic' is looked on today as an Irish word denoting a quintessentially Irish form of fun (drink, music, amusing & friendly conversation).
In fact there was no such word in the Gaelic Language until the 1970s. It is actually an old English(!) word spelt 'crack' that meant in Elizabethan times 'to boast', 'to banter' or 'to tell a joke' as in the term 'to crack a joke'.

8. 'Irish Coffee'- invented for the benefit of American tourists suffering from the Irish weather!
On one cold evening in 1942 at a small windswept airport terminal on the west coast of Ireland, the local chef felt pity for the tired and freezing passengers who had just embarked from a seaplane that had to turn back from its trans Atlantic journey due to atrocious weather conditions.
Being Americans, he knew that they would enjoy a cup of hot coffee (not then much consumed by Irish people) topped with fresh cream. But because of the freezing conditions, he decided to spice it up with a shot of Irish whiskey. Legend has it that one of the passengers, remarking on the unusual taste of this drink asked, "Hey Buddy, is this Brazilian coffee?", to which the chef Joe Sheridan replied, 'No, that's Irish coffee'. And so, history was made!

9. Irish Songs-written by English, Americans, Scots & Australians!
Many of those great 'traditional Irish' ballad songs that are sung with such gusto every night by broken-hearted inebriated Galwegians or Dubliners in some Irish pub across the world were in fact written by English, Scotch, Australian or American!
(Click on song title below to hear the song)
For instance Dirty Old Town (that many mistakenly believe refers to Dublin) was written by the (Scottish-) English socialist folk singer Ewan MacColl; From Clare to Here by English singer songwriter Ralph McTell; Willie McBride/Green Fields of France by Scottish Australian Eric Bogle; Danny Boy by English lawyer Fred Weatherly; My Wild Irish Rose and When Irish Eyes are Smiling by New York Broadway star Chauncey Olcott; and the late great Johnny Cash wrote Forty Shades of Green

10. Irish Traditional Music- reinvented by British Punks
It was a London-based Punk group of mixed English & Irish background that shook Irish music to its foundations and re-invented it for a modern Western youth audience. The anti-establishment Pogues, led by their brilliant lead singer and lyricist Shane MacGowan, that revitalised Irish music and brought vibrancy, youthfulness, relevancy and radical politics back into a staid Irish music scene.
Formed in 1982, the inventors of Celtic Punk fused traditional Irish folk with contemporary English punk and rock.
The name 'Pogues' comes from Pogue Mahone, the anglicisation of the Irish 'póg mo thóin,' meaning "kiss my ass".
As with Riverdance, their music was oftentimes condemned by the native Irish purists who preferred to keep Celtic culture in a sealed box untainted by outside forces.
Silly people! Like all cultures, Irish traditions are ever-changing, are constantly borrowing and being re-shaped by external influences.


11. The Irish Potato- Brought to Ireland from North America by English colonists
More than any other food item, the potato is associated with Ireland. Today it is a central element of Irish cuisine with a myriad of traditional recipes associated with this root crop, ranging from Boxty (Irish Potato Griddle Cakes), potato soup, Dublin Coddle to Colcannon. Particularly from the early 1800s, it became the staple diet of the Irish people. Because of its high nutritional value and its ability to be grown abundantly on poor soils, the majority of the impoverished native peasantry planted this vegetable  on the miserable patches of lands left to them by their new lords and masters, the British ruling elite, who had conquered and colonised Ireland  during the wars of the 16th-18th centuries,  transforming the countryside in the process into grazing and tillage lands to provide livestock and grain for the British market. Over dependency on the potato in the 19th century sadly had dire consequences when potato blights led to mass starvation, death and emigration particularly in the Great Famine (an Gorta Mór = the Big Hunger) of the 1840s.

However the potato was introduced into Ireland only in the late 16th century from North America, probably by English soldier and adventurer Sir Walter Raleigh on his estates in county Waterford that had been awarded to him from lands seized from Irish rebels. Raleigh is mostly remembered today for popularising another crop from the the New World, namely tobacco. However his legacy in Ireland is somewhat different and will be forever associated with colonising Irish lands with English settlers and American spuds.

12. Claddagh Ring- African Origins of the Irish Symbol of Love
The Claddagh ring (Fáinne Chladaigh in Irish) is internationally renowned as a traditional Irish token of friendship, love, or marriage. It is called after the fishing village of Claddagh ('Cladach' = stony beach in Irish), now a suburb of Galway city on the west coast of Ireland.
Each element of this distinctive metal ring has symbolic meaning: the hands represents friendship, the crown loyalty, and the heart love. If the ring is placed on the right hand with the heart turned outwards, it means that the wearer is "unattached". When the heart is turned inwards, it is a sign that  he or she is married or in a permanent relationship.
Many famous people have worn it including the British Queen Victoria, Hollywood actor Gabriel Byrne, film producer Walt Disney and US President Bill Clinton.
It has appeared in popular television programmes including Friends, and in Buffy the Vampire Slayer where the character Angel (who was an Irishman in a previous life) presents Buffy with a Claddagh ring on her birthday saying “My people – before I was changed – they exchanged this as a sign of devotion. It’s a Claddagh ring. The hands represent friendship, the crown loyalty…and the heart….well you know…..wear it with the heart pointing towards you it means you belong to somebody."
All wore the ring in the belief that it is a authentic Love Symbol from ancient Ireland.
Yet its origins probably lie in North Africa, in the white slave trade practiced by the fierce Moorish pirates in what was then known as the Barbary (Barbarian) Coast.
According to legend Richard Joyce, from British occupied Ireland, was captured by Muslim pirates on a ship traveling to the slave plantations of British West Indies. Sold like many hundreds of thousands of captured Europeans in a slave market in Morocco or Algeria, he was bought by a kindly  goldsmith from Algiers who taught him the skills of his trade during his 14 years of captivity.
Under a peace treaty during the reign of King William III, Richard was released along with all other British prisoners. In spite of being offered riches and a daughter in marriage by his former master. Richard returned to Galway. Equipped with his new metalwork skills and designs, he became a successful goldsmith. It is said that he presented the first Claddagh ring to a lover that had remained faithful to him during his long years in captivity.

13. Easter 1916 - Ireland's greatest rebellion against British Imperial Rule- Led by a Scotsman, an Englishman, an American and the English-born wife of A Polish Count
The Easter 1916 Rising is probably the most celebrated rebellion against British colonial rule in Ireland. Though it ended in failure, it was the catalyst for the larger scale guerrilla warfare campaign of the Irish Republican Army (IRA) that commenced in January 1919 and became known as the War of Independence which led to the establishment of the Irish Free State and the end of British rule in 26 counties of the 32 counties of Ireland.
Yet interestingly, many of the rebel leaders were foreign-born, evidenced of the extent and influence of the Irish Diaspora. The chief planner of the rebellion, Tomas Clarke was born in the Isle of Wright, England; James Connolly the internationally renowned socialist and overall commander, was born in Edinburgh Scotland; Éamon DeValera, commandant of the Boland Mills unit, was born in New York to a Cuban father; Constance Georgine Markievicz (neé Gore Booth) second in command of the St. Stephen's Green rebel forces was born in London and married a Polish aristocrat Count Casimir Markievicz from what is now Ukraine. The father of Pádraig Pearse, the Commander in Chief of the overall rebellion and the person most associated with the Rising was from Birmingham.

14. Ireland's Picturesque Landscapes of Green Fields & Stone Walls - A Product of British Conquest & Colonisation

A rural landscape comprising a mosaic of little green fields and a network of drystone walls is the image that many foreigners have of Ireland and its ancient Celtic past and rural traditions. In fact the fields and walls were largely created by British colonists and merchants from the early seventeenth century onwards when, after the defeat of Gaelic clans, the huge forests that covered much of the country were cut down to provide fuel for the English ironworks, timber to build ships for the imperial navy, tillage and pasture lands for the production of crops and livestock for export to the English homelands.


A traditional Irish (honest!) Toast
In honour of the day itself, may I send you all an old and heartfelt Irish blessing:
"May your glass be ever full,
May the roof over your head be always strong,
And may you be in heaven
half an hour before the devil knows you're dead!"

St. Patrick & St. Patrick's Day - Not Irish After All!!


Great swathes of the world turn green on March 17th as people anywhere that have some ancestral roots to theEmerald Isle nosily celebrate St. Patrick's Day, the great festival of the Irish.

Yet, as with St. Patrick himself, so many of the traditions associated with our national holiday owe their existence to people and places far beyond our green shamrock shores.

Click here to find out more about this startling revelation from one of my previous and hopefully very interesting articles!

For instance....
Famous Ballad 'Dirty Old Town' - Not an Irish Song!


Dirty Old Town is a song synonymous with Irish Pub Ballads, with most people believing that its title refers to Dublin.
Actually, it was written by Ewan MacColl, an Englishman of Scottish ancestry, about the grimy old industrial town of Salford near Manchester!
Click here to hear Pogues' brilliant version of Dirty Old Town.

Ireland's Forty Shades of Green - Invented by an American Rock 'n' Roller!

Forty Shades of Green has all the hallmarks of a story penned by an Irish emigrant fondly reminiscing about memories of the lover, the landscapes and the people that he left behind in rural Ireland.
In fact it was written by the Man in Black- Johnny Cash, the legendary American Rock 'n' Roll & Country star.
Every line in the song feels like part of an authentic television documentary on Ireland.Who cares if it is sentimental. As an emigrant myself in times gone past, I can empathise with the feelings expressed.
Click here to hear a fine version song by his daughter Rosanne Cash

St. Patrick & St. Paddy's Day Festival -Not Irish After All!!


Great swathes of the world turn green on March 17th as people anywhere that have some ancestral roots to the Emerald Isle nosily celebrate St. Patrick's Day, the great festival of the Irish.

Yet, as with St. Patrick himself, so many of the traditions associated with our national holiday owe their existence to people and places far beyond our green shamrock shores.

Click here to find out more about this startling revelation from one of my previous articles!

For instance....
Famous Ballad 'Dirty Old Town' - Not an Irish Song!


Dirty Old Town is a song synonymous with Irish Pub Ballads, with most people believing that its title refers to Dublin.
Actually, it was written by Ewan MacColl, an Englishman of Scottish ancestry, about the grimy old industrial town of Salford near Manchester!
Click here to hear Pogues' brilliant version of Dirty Old Town.

Ireland's Forty Shades of Green - Invented by an American Rock 'n' Roller!

Forty Shades of Green has all the hallmarks of a story penned by an Irish emigrant fondly reminiscing about memories of the lover, the landscapes and the people that he left behind in rural Ireland.
In fact it was written by the Man in Black- Johnny Cash, the legendary American Rock 'n' Roll & Country star.  Every line in the song feels like part of an authentic television documentary on Ireland. So I have nothing but admiration for the man who could write such beautiful emotional lyrics about a country that was not his own. Who cares if it is sentimental. As an emigrant myself in times gone past, I can empathise with the feelings expressed.
Click here to hear a fine version song by his daughter Rosanne Cash

Dearth of Gaelic Culture in Galway's St. Patrick's Day Parade

Copy of my letter that was printed in the Galway Independent newspaper

This year's St Patrick's Day Parade was a great success at many different levels. The welcome return of the school bands, the pageantry, the huge friendly crowds and, of course, the fine weather made for an enjoyable afternoon.

So well done to the organisers!
But there was a surprising dearth of traditional Irish music, dance and drama in the event that was commented on by locals and tourists alike. Visitors were treated to a wonderful eclectic mix of African singers, Chinese dancers, Scottish pipers, American cops, Indian fashion, Hare Krishna chants and smiling flag wavers from new Christian groups that reached a finale in a fine display of Breton folk music in front of the official review stand.

But, in a Galway city/county that prides itself on being the cultural capital of Ireland, that is promoted as the custodian of so many aspects of Gaelic culture and is the birthplace of the sean-nos dancing Mulkerrin Brothers who won the 'All-Ireland Talent Competition' only two days previously, there is something seriously wrong when Gaelic culture finds so little expression in our annual national parade.

Promoting our membership of the 'Global Village' and the ethnic traditions of recent arrivals from other lands should, of course, be encouraged, commended and continued. But it would be wrong in the process to sideline a Gaelic culture that has for millennia been that of the majority of the Irish people.

The world has an appetite for traditional Irish Celtic music, drama and dance that has only increased over the last few decades. We in Galway should not ignore this and disappoint those who travel from distant parts to take part in what they expect to be a celebration of Ireland’s heritageHaving a St Patrick's Day Parade without this cultural input is akin to the Rio de Janeiro Carnival without its Samba Schools. For centuries the parade was nurtured by our Irish diaspora in order to keep the national identity alive in a time when the indigenous population was threatened by colonisation, war, oppression, famine and poverty. But participation from other ethnic groups with proud heritages is nothing new.

For instance, many Indians marched in the 1920 New York Parade that was reviewed by Eamon DeValera, some carrying large banners emblazoned with messages such as '315,000,000 of India with Ireland to the Last' and 'President De Valera's Message to India: Our cause is a common cause.'

I have sent a letter on this issue to the Mayor and Manager of Galway City. I also requested them to consider henceforth sending invitations to representatives of local schools, community and voluntary groups to fill the many empty seats noticeable in this year’s Review Stand as well as to lobby for the closure of the off-licences on 17 March. The public displays of urination, vomiting and verbal harassment, particularly from under-age drinkers on our streets and in our parks after the parade last Tuesday, was a frightening experience for families and others endeavouring to enjoy our national holiday.