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Directed by the left-wing British director Ken Loach, it brillantly encapsulated the harsh realities of the Irish War of Independence and the subsequent Civil War as experienced by rural Cork.
Nor surprisingly, considering Ken's politics, it made strong associations with present day Iraq and showed vividly the similarities of terror tactics and racism that all armies of occupation employ in order to subjugate native populations. It also portrayed the contradictions and incompatiblity of the final war aims of different factions within liberation movements that often come to the surface in open warfare once the common enemy has been defeated.
See my previous article on the Wind that Shakes the Barley for a more in-depth analysis.
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